An image: the Visible and the Invisible

A painting that looks like an ancient parchment, that also resembles a medieval map, a family tree from the nineteenth century and even a mural with a scientific look to it (made up of drawings that might seem disconnected

1_ This parcial vision begins to construct

images available in this era of technology and permanent visual production, she edits and puts them together to Atlas Mnemosyne 2 Every

The artist explains that Positivismo mágico is an attempt to prove opposing ways to read the world in a rhizomatic biased standpoint, from diverse angles, that allows the viewer to do a reading from their unique experience and

of a frame and by leaving behind the consistency of being anchored to a wall, she is free of the boundaries set by Mesa espirita, which includes the Yorùbá Afrobrazilian deities and other references to Mundo molecular, she rethought ways to display her Antro-subterráneo exhibits and at the same time questions visibility and reality (the center of metaphysical thought)

                                                                                                   Alexia Tala May, 2015

Paul Klee / Statements by the artist

 Alexia Tala